Works in Oil & Enamel
I have come to like oil as a medium that is more malleable and gives me the liberty to experiment and challenge myself.
SP-5
Self portrait, T.B., Octoober 2025, “Self reflection” collection, Oil and crayons on canvas, 80x60cm
SP-4
Self portrait, T.B., November 2025, “Self reflection” collection, Oil and crayons on canvas, 80x60cm
Mother Darkness Doesn't Need Permesso di Soggiorno
The feeling of having an expiration date on one’s freedom, of being trapped as an immigrant within endless bureaucratic cycles.
Fridays the Sky Rains Blood, T.B. , January 2026, “Iran series” Collection, Oil on canvas, 60x50cm
Politics of War, T.B., April 2026, oil on canvas, 50x40cm
Who’s afraid of the changing climate?, T.B., February 2025, Oil on canvas, 50x70cm
Sedaghat(Honesty), T.B., April 2026, oil on canvas, 70x50cm
The people in my head, T.B., November 2025, “Self reflection” collection, Oil and crayons on canvas, 90x60cm
Funeral in Tibet, T.B. , October 2025, Oil and crayons on canvas, 80x60cm
Tree of Revolution
T.B., February 2026, “Iran series” Collection, Oil and
enamel on canvas, 150x150cm
Inspired by Suvashun by Simin Daneshvar, a post-World War II novel set in Shiraz. Within the novel, a “tree of revolution” is described, sustained only by the blood of those who die on the path to freedom.
Works in Watercolor & Ink
The first and foremost experience I had with abstract art started with watercolor.
Road trip to Macugnaga, T.B., January 2024, Watercolor on paper, 24x33cm
The path of Latif, T.B., September 2025, “Iran series” collection, Watercolor on paper, 24x33cm
Funeral in silence, T.B., January 2026, “Iran series” collection, Indian ink on paper, 23x31cm
Heech 2.1, T.B., March 2026, Calligraphy collection, Indian ink and watercolor on paper, 50x70cm
Inner world is an intertwined ball of yarn, T.B. , January 2024, “Self reflection” collection, Watercolor on paper, 24x33cm
Solh(Peace), T.B., March 2026, Calligraphy collection, Indian ink and watercolor on paper, 50x70cm
752/176, T.B., January 2026, “Iran series” Collection, Oil on canvas, 70x50cm
Referring to the events of January 8, 2020, the downing of Flight PS752 by the IRGC, the work commemorates the 176 passengers who lost their lives. The faceless, female figure evokes the uprising that followed the death of Mahsa Amini in September 2022, and the subsequent deaths, injuries, and imprisonments linked to the Woman, Life, Freedom movement.